Timeless
final project
We took a plate for each shot with the Macbeth Color Checker, a cube for perspective, and a grey ball for light reference. The second picture is Liz acting as the portal, for reference.
This is one of the HDRIs that I took with the 360 camera. We made an HDRI with the pictures from the Canon, but the light information they had was not enough. We ended up using the pictures from the 360 camera, which has way more information.
Compilation of our shaders
Car turntable no.1. For the light rig, we used the HDRI we took with the 360 camera, and created white plastic/white matte, grey clay, chrome, and black plastic sphere materials.
older version - when the car was blue and environment was more busy. We then changed the car to red
shaders for inside shots
Nuke node network
From January until March, I had the opportunity to work on a collaborative project under mentorship of The Mill. I got to work with some talented friends: Mitch Harper, Elizabeth Delos Reyes, Diana Castellvi, Yanni Fong. More information on my blog behind the process!! https://lorelaivfx.com/blog
A "more than just a car commercial" created in 9 weeks. "A car that's classic in any generation", a red Ferrari time traveling to present Savannah, Georgia.
